The Routledge film music sourcebook /
The Routledge Film Music Source Book is an annotated, thematically organized collection of approximately eighty source readings pertaining to film music dating from its beginnings to the present, from the US and other select countries around the globe. The documents represent a wide variety of music...
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| Other Authors: | , , |
| Format: | Book |
| Language: | English |
| Published: |
New York :
Routledge,
2012
New York City : 2012 New York, NY : 2012 New York : 2012 |
| Edition: | 1st ed |
| Subjects: |
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| 245 | 0 | 4 | |a The Routledge film music sourcebook / |c edited by James Wierzbicki, Nathan Platte, and Colin Roust |
| 246 | 3 | 0 | |a Film music sourcebook |
| 250 | |a 1st ed | ||
| 250 | |a First edition | ||
| 260 | |a New York : |b Routledge, |c 2012 | ||
| 260 | |a New York City : |b Routledge, |c 2012 | ||
| 260 | |a New York, NY : |b Routledge, |c 2012 | ||
| 263 | |a 1109 | ||
| 264 | 1 | |a New York : |b Routledge, |c 2012 | |
| 300 | |a xv, 389 p. : |b ill. ; |c 27 cm | ||
| 300 | |a xv, 389 pages : |b illustrations ; |c 27 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (p. 307-351), filmography and index | ||
| 504 | |a Includes bibliographical references, filmography (p. 354-372), and index | ||
| 504 | |a Includes bibliographical references, filmography (pages 354-372), and index | ||
| 504 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a pt. 1. "Silent" film : early approaches to film accompaniment ; dreams of the future ; practical advice in the heyday of the silent film -- pt. 2. Early sound film : transitional concerns ; accounts of the sound film's early years ; debates on the future of music in sound films -- pt. 3. Music in the classical-style film : practical advice as film music's "classical style" takes shape ; aesthetic squabbles -- pt. 4. The postwar years : European vs. American attitudes ; foreign ideas ; stylistic novelties -- pt. 5. Changing times : gloom and doom ; plenty of optimism -- pt. 6. The business of film music : labor pains ; soundtrack albums -- pt. 7. A whole new world : new instruments ; new methods -- pt. 8. Today, tomorrow : fin de siècle ; onward and upward? | |
| 505 | 0 | |a pt. 1. "Silent" film : early approaches to film accompaniment ; dreams of the future ; practical advice in the heyday of the silent film -- pt. 2. Early sound film : transitional concerns ; accounts of the sound film's early years ; debates on the future of music in sound films -- pt. 3. Music in the classical-style film : practical advice as film music's "classical style" takes shape ; aesthetic squabbles -- pt. 4. The postwar years : European vs. American attitudes ; foreign ideas ; stylistic novelties -- pt. 5. Changing times : gloom and doom ; plenty of optimism -- pt. 6. The business of film music : labor pains ; soundtrack albums -- pt. 7. A whole new world : new instruments ; new methods -- pt. 8. Today, tomorrow : fin de siècle ; onward and upward? | |
| 505 | 0 | 0 | |g pt. 1. "Silent" film |g Early approaches to film accompaniment. |t Music for the picture / |r Clarence E. Sinn (1910) ; |t Playing the pictures / |r Clyde Martin (1910) ; |t Jackass music / |r Lou Reeves Harrison (1911) -- |g Dreams of the future. |t Music for the movies / |r Carl Van Vechten (1916) ; |t The surveys of Le film : music and the cinema (1919) -- |g Practical advice in the heyday of the silent film. |t Musical accompaniment to the feature picture / |r Erno Rapee (1925) ; |t Scoring a motion picture / |r Victor Wagner (1926) ; |t The artistic feature film and music : its genres / |r Hans Erdmann (1927) -- |
| 505 | 8 | 0 | |g pt. 2. Early sound film |g Transitional concerns. |t Music and the cinema / |r Edwin Evans (1929) ; |t About the music to New Babylon / |r Dmitry Shostakovich (1929) ; |t Experimenting with sound films / |r Darius Milhaud (1930) -- |g Accounts of the sound film's early years. |t Musical picture quietly undergoes renaissance / |r Philip K. Scheurer (1931) ; |t Musical pictures are here again / |r Helen Louise Walker (1931) ; |t Film music experiences its sanest development / |r Edwin Schaller (1932) -- |g Debates on the future of music in sound films. |t A little about movie music / |r Virgil Thomson (1933) ; |t Music and the synchronized film / |r Clarence Raybould (1933) ; |t Musical surprises / |r Azary Azarin (1935) ; |t The experience of the composer / |r Nikolai Krykov (1936) -- |
| 505 | 8 | 0 | |g pt. 3. Music in the classical-style film |g Practical advice as film music's "classical style" takes shape. |t Film music / |r Arthur Benjamin (1937) ; |t On the Hollywood front / |r George Antheil (1938) ; |t History of motion picture music / |r Franz Waxman (1940) ; |t Memoranda / |r David O. Selznick (1937, 1941) -- |g Aesthetic squabbles. |t Music and cinema : an impossible marriage / |r Gianandrea Gavazzeni (1943) ; |t Music and cinema : a difficult marriage / |r Fedele d'Amico (1943) ; |t Music and the screen / |r Erich Leinsdorf (1945) ; |t Music in films : a rebuttal / |r Bernard Herrmann (1945) ; |t Heard melodies / |r Bosley Crowther (1945) -- |
| 505 | 8 | 0 | |g pt. 4. The postwar years |g European vs. American attitudes. |t Music : congress at Florence / |r Antony Hopkins (1950) ; |t Film music of the quarter / |r Lawrence Morton (1951) ; |t Hollywood orchestrators : the dragon shows his teeth / |r Hans Keller (1951) ; |t How film music was born and how it is made today / |r Georges Auric (1952) -- |g Foreign ideas. |t A few ideas about music and film / |r John Cage (1951) ; |t Concrete music / |r Pierre Schaeffer (1954) ; |t On using musical instruments in film music / |r Wang Yunjie (1957) -- |g Stylistic novelties. |t Scorers skip classics, seek new approach / |r Philip K. Sheurer (1954) ; |t Three movie scores issued on LP disks / |r John S. Wilson (1959) ; |t British rattled by rock 'n' roll / |r Thomas P. Ronan (1956) ; |t 'Real crazy' Mansfield in raucous film / |r Mae Tinee (1957) ; |t Films' appeal is based on rock 'n' roll / |r Mae Tinee (1957) ; |t The first electronic filmscore : Forbidden planet / |r Jane Brockman (1992) ; |t Electronic strains reinforce Andromeda film score / |r Martin Bernheimer (1971) -- |
| 505 | 8 | 0 | |g pt. 5. Changing times |g Gloom and doom. |t What ever happened to great movie music? / |r Elmer Bernstein (1972) ; |t Whatever became of movie music? / |r David Raksin (1974) -- |g Plenty of optimism. |t Sound and fury over film music / |r Charles Champlin (1967) ; |t Notes from a subculture / |r Leonard Rosenman (1968) ; |t You may not leave the movie house singing their songs, but ... / |r Charles Higham (1975) -- |
| 505 | 8 | 0 | |g pt. 6. The business of film music |g Labor pains. |t Musicians to picket two films in 20 U.S. cities / |r Howard Kennedy (1958) ; |t Musicians Guild wins coast vote / |r Thomas M. Pryor (1958) ; |t Musicians Guild wins 14% hike in studio pay / |r Anon. (1958) ; |t Musicians could be left out when actors settle / |r Eric Malnic (1980) ; |t Tentative pact reached in musician strike / |r Anon. (1981) ; |t AFM, film producers reach new three-year pact / |r Anon. (1990) ; |t Keeping film scoring on our shores / |r Florence Nelson (2005) ; |t Union drumbeat's growing / |r John Burlingame (2010) -- |g Soundtrack albums. |t Music is now profit to the ears of filmmakers / |r Vincent Canby (1966) ; |t The sound of (movie) music : re-releases of soundtracks past / |r Tom Shales (1976) ; |t Movie music : is it becoming hit or miss? / |r Steven Smith (1986) -- |
| 505 | 8 | 0 | |g pt. 7. A whole new world |g New instruments. |t Synthesizer upstarts conquer Hollywood / |r Jeff Burger (1987) ; |t Computers in the movies : How desktop PCs help create Hollywood's amazing music and sound effects / |r Lachlan Westfall (1998) ; |t The unreal orchestra, part 1 : The virtual film score / |r Michael Prager (2004) ; |t Sound for picture : Hans Zimmer's scoring collective : composer collaboration at remote control productions / |r Matt Hurwitz (2007) -- |g New methods. |t Making soundtracks, part 1 : Those pesky songs that show up in between your cues : who puts 'em there, anyway / |r Jeff Rona (2000) ; |t Making soundtracks, part 2 : More on the differences between the score and the soundtrack / |r Jeff Rona (2000) ; |t Music in movies and TV : filling the bill / |r Nick Krewen (2005) ; |t Music business insider: Q&A : Jack Rudy / |r Mike Levine (2007) -- |
| 505 | 8 | 0 | |g pt. 7. A whole new world |g New instruments. |t Synthesizer upstarts conquer Hollywood / |r Jeff Burger (1987) ; |t Computers in the movies : How desktop PCs help create Hollywood's amazing music and sound effects / |r Lachlan Westfall (1998) ; |t The unreal orchestra, part 1 : The virtual film score / |r Michael Prager (2004) ; |t Sound for picture : Hans Zimmer's scoring collective : composer collaboration at remote control productions / |r Matt Hurwitz (2007) -- |g New methods. |t Making soundtracks, part 1 : Who puts 'em there, anyway / |r Jeff Rona (2000) ; |t Making soundtracks, part 2 : More on the differences between the score and the soundtrack / |r Jeff Rona (2000) ; |t Music in movies and TV : filling the bill / |r Nick Krewen (2005) ; |t Music business insider: Q&A : Jack Rudy / |r Mike Levine (2007) -- |
| 505 | 8 | 0 | |g pt. 8. Today, tomorrow |g Fin de siècle. |t Film music has two masters / |r Donal Henahan (1987) ; |t In Hollywood, discord on what makes music / |r David Mermelstein (1997) ; |t Keeping scores : good old-fashioned movie music is as healthy as it ever was / |r James Hunter (1998) ; |t Many ways to score / |r Catherine Applefeld Olson (1999) -- |g Onward and upward? |t Taking movie music seriously, like it or not / |r David Schiff (2001) ; |t The soundtrack game is attracting fresh and edgy artists / |r Dylan Callaghan (2002) ; |t When is film music classical? / |r Jed Distler (2007) ; |t Hollywood composers tune in for rare gathering / |r Kevin Cassidy (2008) ; |t 127 hours and other films take experimental turns in music / |r Todd Martens (2010). |
| 505 | 8 | 0 | |g pt. 8. Today, tomorrow |g Fin de siècle. |t Film music has two masters / |r Donal Henahan (1987) ; |t In Hollywood, discord on what makes music / |r David Mermelstein (1997) ; |t Keeping scores : good old-fashioned movie music is as healthy as it ever was / |r James Hunter (1998) ; |t Many ways to score / |r Catherine Applefeld Olson (1999) -- |g Onward and upward? |t Taking movie music seriously, like it or not / |r David Schiff (2001) ; |t The soundtrack game is attracting fresh and edgy artists / |r Dylan Callaghan (2002) ; |t When is film music classical? / |r Jed Distler (2007) ; |t Hollywood composers tune in for rare gathering / |r Kevin Cassidy (2008) ; |t 127 hours and other films take experimental turns in music / |r Todd Martens (2010). |
| 520 | |a The Routledge Film Music Source Book is an annotated, thematically organized collection of approximately eighty source readings pertaining to film music dating from its beginnings to the present, from the US and other select countries around the globe. The documents represent a wide variety of music-related issues that were heatedly debated during cinema 's early decades and which by and large remain of concern today. Each document is prefaced by a brief introduction that gives details on both the author and the particular issue at hand. Also, each group of documents is prefaced by a longer introduction that puts into historical context the collective information and opinions that follow. The organizational scheme is at the same time chronological and thematic in a pattern that alternates between aestehetic and practical considerations | ||
| 650 | 0 | |a Motion picture music |x History and criticism | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc |2 fast | |
| 700 | 1 | |a Platte, Nathan | |
| 700 | 1 | |a Roust, Colin | |
| 700 | 1 | |a Wierzbicki, James Eugene | |
| 710 | 2 | |a Routledge (Firm) | |
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